It’s almost like the writers of this week’s Bones had talked to me. I’m the guy that rails on about characters all the time, and this week’s installment had an interesting subplot that brought up the same point. Procedural shows are a dime a dozen these days. Three different CSIs, two different NCISs (Which was first a spin off of a lawyer/procedural hybrid), and who knows how many Law & Order’s (Which, yes, I know I could find at IMDb.com pretty quickly, but what’s the point). A very important step into making the good ones stand out, though, is characters that the audience connects to. That’s why NCIS gets killer ratings, and I haven’t watched an episode of NCIS: LA in months.
Bones is one of those shows that gets the characters right. There isn’t a more perfect example than watching Sweets this week. Watching someone find the ultimate joy, only to have their life ended so quickly was depressing to watch on TV, let alone to have it happen in your arms. The rollercoaster that we saw him go through isn’t something you’d see happen on other shows. At least, not nearly as well done. John Frances Daley slow played it, not overselling his emotions, and really landed a great performance.
The reporter (what I originally wrote there was “the annoying as hell reporter” but I thought better of it, but then decided to put this aside in anyways) brought up good ideas, but in the end, missed the point. The reason this show is good, and, presumably Bones’ books, isn’t solely about the characters (as important as they are), but the integration between dynamic characters and a great story. Sweets’ journey was set in motion by what he experienced, but followed a path unique to who he is (And what he is is getting hitched!). It is only when these two pieces are mixed so perfectly do you have that a result that is still going strong after 99 episodes.
Or, it could all just be what’s on Page 187 that keeps us coming back.
Notes & Quotes:
come on … the universal studios earthquake ride? really? I cannot believe they used that for the opening “disaster” sequence.
how lame.
the rest of the episode was good … albeit a bit weird … but I am glad to have Bones back on tv.
oh yea … Nice Toyota Sienna commercial in the middle of the episode
I’d have agreed with you about NCIS: LA after the first five or six episodes, but sometime about the halfway mark during the season, the show started to hit it’s stride.
It’s sad to say, but the characters in NCIS have started to seem a little wan over the past ten episodes, while the characters in NCIS: LA have really developed an interesting chemistry. So much so that my wife and I now end up queuing up the PVR and watching NCIS: LA before watching NCIS.
I stuck it out with ‘Studio 60′ right to the end, but I can’t remember the character of Hallie Gallaway at all. Was she a cast member on the show within a show? I was going to guess one of the writers, but that was the English girl from ‘The Office’….
Nope, drawing a blank on her….